“Top Hits” Articles on Project Muse
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“Mapping Movement on the Move: Dance Touring and Digital Methods” by Harmony Bench and Kate Elswit (December 2016)
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“Hamilton: An American Musical” (review) by Patricia Herrera (March 2021)
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“Memory, Silence, and Democracy in Spain: Federico García Lorca, the Spanish Civil War, and the Law of Historical Memory” by Maria M. Delgado (December 2015)
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“Deepfakes, Artificial Intelligence, and Some Kind of Dystopia: The New Faces of Online Post-Fact Performance” by John Fletcher (December 2018)
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“Feeling in Counterpoint: Complicit Spectatorship and the Filipino Performing Body” by Broderick D. V. Chow (September 2018)
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“Nostalgia and Chronicity: Two Temporalities in the Restaging of AIDS” by Marc Arthur (March 2021)
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“Grief Machines: Transhumanist Theatre, Digital Performance, Pandemic Time” by Fintan Walsh (September 2021)
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“Queer Rurality and the Closet Door Ajar on the Contemporary American Stage” by Sean Edgecomb (January 2021)
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“Compiling West Side Story’s Parahistories, 1949-2009” by Brian Herrera (May 2012)
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“‘Experimenting with a New Technique’: Performance and Rehearsal in the Long Civil Rights Movement” by Paige A. McGinley (March 2021)
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“Gender Trouble in Twelfth Night” by Casey Charles (May 1997)
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“Ratatouille: The Tiktok Musical” (performance review) by Christian Lewis (September 2021)
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“New Black Math” by Suzan Lori Parks (December 2005)
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"The Sea Is Not a Highway: Performing Maritime Histories in the Not-Quite-Global City” by Ella Parry-Davies (December 2019)
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“‘The Black Below’: Minstrelsy, Satire, and the Threat of Vernacularity" by Douglas Jones (June 2021)
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"Oka Apesvchi: Indigenous Feminism, Performance, and Protest” by Bethany Hughes (June 2020)
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“That the Past May Yet Have Another Future: Gesture in the Time of Hands Up” by Rebecca Schneider (October 2018)
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“The Inheritance” (review) by Eric Jorgensen (March 2021)
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“Choreographies of Protest” by Susan Leigh Foster (October 2003)
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“Replaying and Rediscovering the Octoroon” by Lisa Merrill and Theresa Saxon (June 2017)



